Category Archives: Comedy

Coming-of-Age! Peccadillo’s Top-10

Now – I’m not in any way claiming this is the top-10 coming-of-age movie listicle. Such a thing could never be written, this is a contentious (and probably slightly annoying) list of the Peccadillo office’s favourite coming-of-age movies.

Two films, however, have been excluded. The first is ‘Boyhood’, a film which both inhabits, examines and exults its genre, and is so ‘coming-of-age’ it would just occupy a place on this list which – although it more than deserves – could go to a smaller film which needs some love and care. The second that’s missing is our new DVD and Blu-ray release ‘THE WAY HE LOOKS’, an ‘impossibly charming’ (DAZED AND CONFUSED) love story about a blind teenager looking for his first kiss, and is the film which inspired us to write this list. So – let’s go:

1. Stand By Me (1986)

Stand-by-me

Obviously. This was Rob’s choice. Rob is generally a great source of wisdom on everything from Japan to sausage rolls, and so we trust him on this one. Anyone who’s seen the film will never forget the scene where one of the boys gets a leech stuck to his balls, nor the classic, wonderful, timeless theme song which you already have stuck in your head. Mehehe.

2. The Lion King (1994)

The-Lion-King

“Remember me, Simba!” Is this a coming-of-age film or a brilliant re-hashing of Shakespeare’s Hamlet? It’s both, and so much more. Everyone on earth loves this movie and I personally think it’s a fantastic choice from Jude – our graphic designer – as a coming-of-age movie. Jude says it’s the movie that everyone can relate to, and who can’t relate to being raised by a warthog and a lemur in rural Africa?

3. Heavenly Creatures (1994)

Heavenly-Creatures

This is an odd coming-of-age movie. Not because it’s directed by LORD OF THE RINGS behemoth Peter Jackson, nor because the two protagonists live in an intense fantasy realm inside their own heads, or because it’s got Kate Winslet or that one off-of Two and a Half Men in it. Heavenly Creatures is odd because it’s about women. Sadly, most ‘coming-of-age’ movies are told, unapologetically, from a male perspective, but this one spectacularly and triumphantly bucks the trend.

4. American Beauty (1999)

American-Beauty

Olivier went with American Beauty. It’s weird, subversive, funny, dangerous, with one of the most memorable dream sequences in cinema history. It’s coming-of-age but not how you know it, as Kevin Spacey’s character, stuck in arrested development, seemingly comes of age at the same time as his teenage daughter, and dismantles his life – and the American dream – in the process.

5. Submarine (2010)

Submarine

Really randomly directed by the squeaky one from The IT Crowd, this movie is my choice. It’s funny and weird, and set in ugly, lovely Wales (my homeland). I’ve always thought South Wales is cinematic in its own, clunky way, and this film definitely gave it the camera angles and colour-grading it deserved. A real gem, plus my nan auditioned for the role of ‘Dinner Lady 3’.

6. North Sea Texas (2011)

North-Sea-Texas

Although it might sound like an epic American oil-guns-and-corruption drama, this is in fact  a ‘delicate little heart-warmer of a film’ (The Express) about two teenage boys falling in love in northern Flanders, Belgium. Intimate and tender, this is coming-of-age at its most raw and, with the protagonists being 14, youngest. A very brave film made by Bavo Defurne, a very brave filmmaker.

7. XXY (2007)

XXY

Brash, sugar-rush-inducing American coming-of-age movies are obsessed with gender, but for all the wrong, labell-y reasons. Lucia Puenzo’s 2007 feature, then, is a tonic drama about an intersex teenager’s turbulent relationship with her father and the teenage boys around her. A ‘wonderful’ film (The Guardian), XXY forces us to reconsider the binaries that so often restrict our films: a big, welcome middle-finger up to the genre.

8. An Education (2009)

An-Education

“This was the first time I got to see Carey Mulligan’s face.” Ollie our head of press yet again cuts through anything superfluous and gets to the heart of what makes this film fantastic. Beautifully shot and fiercely intelligent, this film about a young girl applying to Oxford whilst incidentally falling in love with a much older man, was nominated for THREE Academy Awards (which I only found out in writing this article), including Best Picture and Best Actress.

9. The Last Picture Show (1971)

The-Last-Pictureshow

Effortlessly cool Nicky (in the production department) naturally chose this 1971 comedy about a small town in 50s Texas; starring a young (and staggeringly handsome) Jeff Bridges, as well as the beautiful Cybill Shepherd. A particularly apt choice from cineaste Nicky, the film laments the closure of the town’s last cinema; and therefore this movie is not only a classic of the genre but a poignant and important film about the close links between culture and economics.

10. Boys (2013)

Boys

Straightforward and sweet, BOYS is the coming-of-age genre distilled. A tale about two boys in an athletics club who initially resist their burgeoning feelings, but then, they kiss. This film is unadulterated understatement, and really captures the fact that, more often than not, the moments we ‘come-of-age’ are not momentous, tectonic events, but rather fleeting moments that last for mere seconds.

11. Bonus Film: The Leather Boys (1964)

The-Leather-Boys

Tom asked me to add this in at the last minute as a very special entry, and, after reading about it, I think it should actually be at the top of the list. I’ve not seen it – but it sounds incredible: a 60s, British-made movie about a biker gang, with Americana sweeping in, and featuring one of mainstream cinemas first openly gay characters! Do as I did (and, as always, as I say) and click the image to buy a DVD and watch ASAP!

As I said, this is not an exhaustive list. If anything this post has probably angered you because we’ve left off you’re favourite coming-of-age film, if, indeed, you think it even counts as a genre (lots don’t.) Let us know on Twitter or Facebook exactly where we’ve gone wrong. Film arguments are fun.

Grazia launch UK Appropriate Behaviour trailer

Did you catch the first episode of GIRLS last night? If you love your Brooklyn edginess right now, check out the trailer for Desiree Akhavan’s APPROPRIATE BEHAVIOUR, which has landed today on Grazia UK.

Grazia said:

“Playing Shirin, an Iranian, bisexual teacher, she’s been touted as the new Lena Dunham, but has very much nailed her own tone in low-key film-making. It’s full of IRL cringes, love, heartbreak and family misunderstandings – as well as the most awky lingerie shopping scene we’ve seen, ever. It’s in cinemas from March 6, and we know Desiree will definitely be putting her deadpan spin on 2015 in a big way. We can’t wait.”

Desiree Akhavan & Halley Feiffer in Appropriate Behaviour_1060x644

Lingerie shopping

Desiree, who wrote, directed and stars in APPROPRIATE BEHAVIOUR is due to feature later in this current season of the Lena Dunham comedy and we can’t wait to see what you think of our new trailer.

Click the link to find out more: bit.ly/ABGrazia

Feburary’s Must See: Stranger By the Lake

Peccadillo Pictures are thrilled to be behind the critically acclaimed and widely admired gay cinema sensation of 2014; Alain Guiraudie‘s intoxicating blend of bold homosexual erotica and compelling psychological thriller, Stranger By The Lake (L’inconnu Du Lac).

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Stranger By The Lake has been praised in countless publications and chosen as a highlight of many must-see lists of the year – Time Out and French film journal Cahier du Cinema, Little White Lies, to name but a few – and it was awarded a five star rating by Empire. It was screened in the Un Certain Regard section at this year’s Cannes Film Festival, where it went on to win the award for Best Director, and the Queer Palm award. It also currently holds an 100% score on go-to film rater Rotten Tomatoes. Guiraudie – one of France’s most accomplished auteurs- is now on his tenth feature and finally earning his place in the art-house limelight. So what, you may ask, is this fuss about? The reasons are multiple.

There’s the atmospheric setting; a picturesque, serene lake in France during a balmy summer, which also happens to be a cruising spot for gay men. A setting that is at once erotically exposed and secretive. When the film gives way to mystery and suspense, the sense of place transforms from a place of natural, pastoral beauty to something more eery and sinister. Of the cruisers, the film focuses on Franck (Pierre Deladonchamps), a highly sought after cruiser in the spot. After several mindless encounters, Frank swims past Michel (Christophe Paou) and rapidly falls into love – or lust – with him, despite warnings from middle-aged Henri, a fat and disillusioned loner he has befriended by the lake. After seeing Michael commit a terrible act of violence, Franck’s unflinching passion threatens to disrupt his moral integrity.

There’s also how celebratory it all is of homosexuality and the male form. It would be a trying effort to find a more sexually explicit art-house film than this, (yes, even Blue Is The Warmest Colour) and a franker portrayal of gay sex so utterly devoid of any inhibition or apology. Likewise, the voyeuristic quality of the sex scenes, plus the treatment of the suspense, expertly echoes Hitchcock; a similarity many viewers are enjoying. The film also moves effortlessly from a sensual art-house film into a murder thriller. Not to mention, there is somehow humour in there too, in the form of an overweight and overtly optimistic cruiser named Eric, always hopefully trying it on with his superior looking fellow naturists. The comedy somehow blends in expertly well, in a film which you wouldn’t expect it to at all; leading this film to become a wonderful and unique hybrid of comedy, romance, erotica and murder thriller.

We could go on, but it would be wiser to believe the hype and experience this absorbing sexual thriller for yourself, in cinemas from 21st February.

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