Category Archives: Peccadillo

LGBT History Month: Queer Around the World

We have our LGBT History Month Tree up here in the Peccadillo office (it may or may not be the Attitude ‘Naked Issue’), and we thought we’d do a series of blog posts throughout the month on LGBT history. Today: LGBT rights around the world.
Gay people on film gets more and more mainstream every year – THE IMITATION GAME, PRIDE, DALLAS BUYERS CLUB – these are massive, blockbuster, Oscar nom’d films – but they’re all Western, British or American, in English. I mean, no-one’s expecting a big gay Russian LEVIATHAN, but it’s sad, no, that a big gay Russian LEVIATHAN would, most likely, not get made? At least not right now. (The closest Peccadillo gets to this is our 2013 Polish drama IN THE NAME OF – a moving and controversial film designated ‘A genuine breakthrough’ by Sight and Sound.)

 

IN THE NAME OF BLOG

IN THE NAME OF: Polish men get biblical in the water.

Gay icon Hillary Clinton is good on this: ‘Gay people are born into, and belong to, every society in the world. They are all ages, all races, all faiths. They are doctors and teachers, farmers and bankers, soldiers and athletes. And whether we know it or whether we acknowledge it, they are our family, our friends, and our neighbours. Being gay is not a Western invention. It is a human reality.

 

The definition of sass.

HILLARY CLINTON: The definition of sass.

So let’s take a whistle-stop tour through some of our favourite LGBT titles not in the English language. This week we’re celebrating the UK release of Brazilian film THE WAY HE LOOKS on DVD and Blu-ray, a sweet, funny and charming film about a blind teenager wondering who he’ll give his first kiss to, his best friend Giovana or handsome newcomer Gabriel. Brazil, with its yellows, lush greens and blues, looks phenomenal on film, and we whole-heartedly champion director Daniel Ribeiro on to his second feature film!

 

The heat is all well and good until you forgot sunscreen.

THE WAY HE LOOKS: The heat is all well and good until you forget sunscreen.

Also from South America is Lucia Puenzo’s (WAKOLDA, THE FISH CHILD) first feature film – XXY. After winning the Critics’ Week Grand Prize in 2007, the film disarmed audiences around the world with its unflinching portrayal of the life of an intersex teenager (played by the outstanding Ines Efron) living in Uruguay.

 

No jokes here - this is a sad scene.

XXY: I would write a joke here but this is a genuinely upsetting scene. The bully is skinny.

One of our most remarkable films is Ligy J Pullappally’s drama THE JOURNEY, which tells the story of two beautiful young women who fall in love in an idyllic, though traditional, Indian community. LGBT rights in India are pretty poor, with the Supreme Court reinstating an upheld ban on gay sex in December 2013. One step forward, two steps back. LGBT activism in India remains, however, undimmed, and THE JOURNEY remains a powerful and poignant riposte to the December 2013 ruling.

 

TheJouneyBlog

THE JOURNEY: Splashy fun and games until the chafing kicks in…

Finishing today’s post (but throwing us forward into next week’s ACTIVISM! post) is CIRCUMSTANCE – one of the bravest titles in the Peccadillo collection. Telling the story of two girls navigating the underground club scene of Iran, as well as the extremely repressive restrictions placed on Iranian women above ground. Based on director Maryam Keshavarz’s own experiences of persecution, the film is nevertheless a subtle and intimate look at the burgeoning sexuality of two young women in a dangerous, stifling world.

 

Circumstanceblog

CIRCUMSTANCE: If you have a sexual reaction to heat, Iran is a great place to live.

The writers, directors, producers and actors behind these films are exceptionally brave people, and here at Peccadillo we feel very lucky to have had the opportunity to work with them, and continue to work with them. Each film demonstrates how essential it is to see LGBT History month as a global, rather than national, event. Stay tuned for more posts throughout the month on LGBT history. Next time: ACTIVISM! The dramas and documentaries that really inspired, or reflect, change.

Oh my VOD! – watching films in the digital age.

The internet introduced itself to the film world like a screaming child; shouting, demanding constant and rapid change, giving us many sleepless nights and quite frequently reducing us to tears and custody battles.

But that angry child is here to stay. Here at Peccadillo we get a lot of questions regarding the difference between VOD and EST, which is fair enough (we’re still getting our heads around them!) Basically, the difference between the two is the difference between renting and owning.

Rent EASTERN BOYS at Curzon Home Cinema now

Rent EASTERN BOYS at Curzon Home Cinema now

VOD stands for ‘Video-On-Demand’, which usually translates to ‘Download-to-rent’ or something similar. So, 4OD (4 On-Demand) allows you to watch Channel 4’s programme but not to ‘buy’ the content and own it. This is where EST comes in.

EST is a lovely and pointless acronym for ‘Electronic Sell Through’, which sounds like some jargon a bank would spurt at you whilst showing you images of a family rambling through a lake and reminding you that you can’t afford a summer holiday. But it’s not, it simply means ‘Download-to-buy’, like buying a DVD, but an ‘Electronic’ (digital) copy of the film. Once you’ve bought it, the film is downloaded to your hard drive and you can watch it as many times as you like and it’ll never expire.

We asked Olivier in our technical department if he could sum up the difference for us, the computer illiterate: ‘VOD is much better for those of you with commitment issues. EST is for the needy among you, those who can’t let go and want to watch the film over and over again.’ Olivier’s sarcastic tone was not appreciated and he has since been spoken to. He may also need therapy.

Peccadillo Pictures uses all the biggies when it comes to both VOD and EST: our films are readily available on iTunes, Google Play, Amazon Instant, Curzon Home Cinema, BFIplayer, Talk Talk, Filmdoo, Volta and BT Vision. So, for instance, when it says £1.99 To Rent on iTunes – that’s VOD, £8.99 To Buy – that’s EST. Bot VOD and EST frequently fall under the umbrella term ‘On-Demand’, which is our preferred phrase here at Peccadillo. But, as I said, the internet is a precocious child which changes what it wants and needs every 5 minutes. Once embraced, however, it’s a beast easily tamed. And then you can sit back and rent, download or own a bevvy of LGBT and world cinema titles whenever you want. I guess that’s why we put up with it.

Pecca-VoD-Blog-Image

Highlights of 2014 – Part Two

In the second part of our 2014 highlights we present favorite moments from three more Peccadillo staff members.

Jude Watson-Abell is our youngest staff member and joined Peccadillo as apprentice graphic designer.

You and The Night Quad low res

YOU AND THE NIGHT UK Cinema Poster

The highlight of the year was getting to design my first cimema poster for the film YOU AND THE NIGHT. It was the first time I had designed anything like it and it was a great learning experience.  At first it was rather daunting but with the right direction I was able to create a poster that I was proud of. Finishing this poster and seeing people’s positive reaction helped my confidence grow and allowed me to go on to create two more cinema posters.  One for the film THE SAMURAI ,which sold rather well at FRIGHTFEST, and another for the film EASTERN BOYS.

Our new Home Entertainment manager Olivier Namet joined Peccadillo in November 2014:

The Way He Looks poster

THE WAY HE LOOKS UK Cinema Poster

My highlight for 2014 was starting work at Peccadillo. I have loved their films for years and now I can continue loving OUR films. My film highlight would have to The Way He Looks. I first saw the short film version (which is one of many extras on our DVD and Blu-ray) at Iris and it was fantastic seeing it become a brilliant, funny, and heart-warming feature.

And finally Rob Fowler is the Peccadillo Pictures finance manager and rarely gets let out of the office…

Tru love DVD

TRU LOVE DVD cover

My highlight was going down to the IRIS PRIZE FESTIVAL in Cardiff which is so friendly and welcoming due to the care and attention of Berwyn and Grant and their team. Particularly getting to meet many of the filmmakers showing their brilliant short films – obvious super talented future feature makers. Our film THE SAMURAI was very well received there and the wonderful Kate Trotter won Best Actress for her role in our film TRU LOVE.

Highlights of 2014 – Part One

In this first look back at 2014, we present the personal highlights from three members of staff, starting with our newest member Will Harwood.  Will originally came to Peccadillo as part of our Work Experience programme and somehow managed to get a full-time job:

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EASTERN BOYS

“Having rescued me from the wasteland that is London For Graduates, I’ve never been more thankful for Peccadillo Pictures. I’ve always admired and respected the work done here and now to be on the inside of one of the most exciting ventures in UK film is, clichéd as it may seem, a dream come true. I’m so grateful to have gotten the chance to work on the brilliant EASTERN BOYS by Robin Campillo (and am still trying to steal a poster from the office…) and very much looking forward to learning more each day, and asking, pleading, begging Tom and Kahloon to take me to a film festival with them…

Here’s to the 2015: I hope you enjoy it as much as I’m going to. ”

Next up is Nicky Davidson from our Home Entertainment and technical dept:

Stranger by the Lake

Stranger By The Lake

“My highlight of this year is working on the incredible STRANGER BY THE LAKE. It was an honour to see the release of what has become not only one of my favourite films of this year, but of all time. And I am super excited about releasing Alain Guiraudie’s previous film, the hilarious countryside romp, KING OF ESCAPE in the new year.”

And Finally Ollie Charles our Communications Manager:

52 Tuesdays

52 Tuesdays

“It brings a great amount of joy and a big smile to my face when I think on the huge amount of films that we have released during 2014. For me, one of my highlights this year was working during the newly named BFI Flare; a wonderful celebration of LGBT cinema from around the world. Not only did we have a great selection of titles in the festival including 52 TUESDAYS, REACHING FOR THE MOON, WHO’S AFRAID OF VAGINA WOLF? and G.B.F. but it also is a great reminder of the fabulous LGBT film community around the world.

Whilst I mention it, releasing G.B.F. was another of my highlights for me as a publicist but also as a huge fan of the film. We welcomed director, Darren Stein and actor, Michael Willett to the UK for the festival where laughs were had all round (and even a slight controversial moment during the festival!). Over the summer we were delighted to welcome Diego Quemada-Diez, the incredibly talented director of THE GOLDEN DREAM. Recently highlighted by Mark Kermode as the best foreign language film of the year, it was so important that we work to release this film and tell audiences around the country about it. This film truly embodied the power of cinema and I am so glad others caught this urgent and essential film.

Michael-J-Willett from GBF

Michael J Willett from GBF

During the end of the summer, I was invited to Locarno Film Festival and take part in a group of juniors that worked in the film industry across the Europe. It was a fantastic opportunity to meet people but also showed to me who my future colleagues would be in this industry and made me realise, we are all working to secure a wonderful future for film.

The BFI London Film Festival was an incredible moment for me, especially working with Desiree Akhavan who came to London for the premiere of her hilarious comedy, APPROPRIATE BEHAVIOUR. It was great to see so many press and audiences getting involved with the discussions around this film and I am proud to have witnessed the best Q&A during the entire festival this year!

Appropriate Behaviour

Appropriate Behaviour

In the last quarter of the year we released three films that remain as some of my favourite ever Peccadillo films. Within weeks of one another we released BOYS and THE WAY HE LOOKS, which are hugely important films to me, because they open discussions about young people and sexuality. They don’t assume homosexuality is an issue but instead follow characters that just are – it was a wonderful breath of fresh air to be able to bring these films to a younger audience, and hopefully allow these people to come out and learn to be comfortable with themselves from an earlier age.

Eastern Boys

Eastern Boys

Finally, my favourite thriller of the year was Robin Campillo’s EASTERN BOYS, which was an intelligent tale set in the outskirts of Paris, so rarely focused on in film. Robin came to London for the release and it was so wonderful to hear his tales. Looking forward we have a great slate of films for 2015 and I cannot wait to get started and bring more great filmmakers to audiences.”